and forms, and forms...

Sonnet sequences aren't dead. This from page 42
Ellen Bryant Voigt's amazing Kyrie, a sequence on the great flu epidemic--

How we survived: we locked the doors
and let nobody in. Each night we sang.
Ate only bread in a bowl of buttermilk.
Boiled the drinking water from the well,
clipped our hair to the scalp, slept in steam.
Rubbed our chests with camphor, backs
with mustard, legs and thighs with fatback
and buried the rind. Since we had no lambs
I cut the cat's throat, Xed the door
and put the carcass out to draw the flies.
I raised an upstairs window and watched them go--
swollen, shiny black, green-backed, green-eyed--
fleeing the house, taking the sickness with them.

And this from page 55:

Who said the worst was past, who knew
such a thing? Someone writing history,
someone looking down on us
from the clouds. Down here, snow and wind:
cold blew through the clapboards,
our spring was frozen in the frozen ground.
Like the beasts in their holes,
no one stirred--if not sick
exhausted or afraid. In the village,
the doctor's own wife died in the night
of the nineteenth, 1919.
But it was true: at the window,
every afternoon, toward the horizon,
a little more light before the darkness fell.